Takashi Miike continues to produce astonishing films. His latest, Scars of the Sun, is part crime drama, part social commentary, with moments of brutal violence that hits the viewer in the gut by being frankly realistic. Katayama is an architect, who, coming home from work one day, stumbles across a mugging of a street person by three teenage kids. Actually, they are beating him to death, and Katayama decides to take things into his own hands and beats up the three teens. This seemingly random act of kindness leads to trouble for Katayama, as his daughter is kidnapped by one of the teenagers (the leader, Kamiki) and murdered. His attempts to seek justice are thwarted by a police force and legal system that protects the youth, and Katayama, by taking the initiative, is seen as a troublemaker, and is blamed for causing his daughter's death. His wife later commits suicide. Kamiki is found, sentenced, and serves three years at a juvenile detention center. He is released on good behavior, and works at a surfboard manufacturing place, taken in by the owner who looks after troubled youth. Katayama learns of Kamiki's release through a probation officer, who asks him to let things be. But Katayama wants justice. His previous attempts, plus his being vocal about killing Kamiki has placed the local cops on alert. He misleads the probation officer by stating that he only wants to see Kamiki, if only to confirm that he is a reformed man. He had been looking for him, but Kamiki, is now under another name. The probation officer takes him to the surfboard place. Katayama sees, him, and runs out from the car and confronts him. The cops have to break it up, and deliver Katayama a stern waning. Kamiki, however, seems to revert to old form, calling on his old chums to monitor Katayama. One of his friends, however, now has a wife and child, and is reluctant to do his bidding. He also had ran into Katayama earlier in his search for Kamiki. But Kamiki threatens his daughter's life, and makes arrangements for a meeting between him, Kamiki, and Katayama. Kamiki in the meantime, purchases guns and ammo online, delivering them to some kids from the old neighborhood, who are enthralled with the weapons. They beat up and shoot the convenience store owner, where at the beginning of the film the initial incident took place. The probation officer is kidnapped by Kamiki, and is used to draw Katayama to the meeting place. He finds Kamiki's friend, dead, and is ambushed by Kamiki's gang. Katayama dispatches the kids one by one, and has it out with Kamiki, and kills the teen. The film ends with Katayama, dying, on top of the building, as the sun rises above.
Scars of the Sun is similar to the excellent The Negotiator in tone, look and subject matter -- that there are systemic problems with Japanese law that allows for people to act criminally, and get away with it. Here it is the troubled teen, those kids who have grown up in an age without rules or mores. According to the film a thirteen year old cannot be sentenced to death nor life in prison for murdering someone -- because of their age, they "don't know what they're doing," and it is more important to rehabilitate them so they can return to society. To Kamiki, this gives them a free pass, a license to kill. Katayma is an interesting character: although he seems like a meek architect, he can more than handle his own against the young thugs, in fisticuffs and with a gun. How is that? It's one of the few things I find questionable in a very good film. To me it is part classic Kurosawa and part Battle Royale, without the over the top violence of the latter. While the average Miike fan might be disappointed that this isn't like DOA or Iichi, this is a thoughtful and well made film that shows Miike's diverseness as a director, and the social commentary of the film ought to keep him as one of the top (if not THE man) directors of Japan. Recommended.
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1 comment:
Nice review. Gotta catch this film, we're Miike fans too!
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