Madcap Action Adventure - High Risk

Sometimes you can stumble across a good film in the cheap pile at the store or online. For a dollar I picked up High Risk, not just because of the price, and the stars (James Coburn, James Brolin, Clevon Little, Ernest Borgnine, Anthony Quinn, Lindsay Wagner!), but the high recommendations that I got from friends who share my eccentric tastes in films. The opening credits immediately establishes the plot -- four guys get together for a seemingly innocent weekend of fishing and hunting, when in fact they are heading down to Columbia for an improbable heist of five million dollars from a local drug lord. James Brolin is the leader of the bunch, tired of the years of hard work for little pay, and dreams of a big pay off. His partners in crime - Clevon Little (yes, from Blazing Saddles), Bruce Davison and Chick Venerra. Ernest Borgnine is the arms dealer who provides them with a small arsenel to defend themselves, and they hook up with a charter plane run by two ex hippy vets who fly them down to Columbia. They parachute down, and gathering their things, they proceed to the drug lord's headquarters. They break in, steal the money right from drug lord James Coburn, and take off. The resulting gunfight and chase splits the group into two - Little and Venerra are captured by the local police, and tossed in a filthy local town jail, where they make friends with another American, Lindsay Wagner. Little and Venerra convince a couple of locals to bust them out of jail, and they take off in their underwear - their clothes were used as the rope to pull off the bars. Wagner follows. They escape on a bus, and head off towards their arranged meeting place, with their share of the money. Brolin and Davison have a harder time. They run into local bandits, headed by Anthony Quinn, who take their money, beat them up and threaten to kill them. They escape, taking some weapons, and Brolin convinces his partner to go after them to get the money. In the middle of the night they attack, killing a couple of the bandits and making off with the money. They all reunite at a waterfall, near the place where the airplane will come to pick them up. Quinn and the bandits are not to be deterred, for they are in hot pursuit, and wound two of the Americans, but Brolin fends them off long enough for them to get a head start. They reach the plane, but it is an old rusty hulk. The bandits seemingly have them cornered, but Coburn and his cartel manage to disrupt things when they show up, and the resulting shootout thins both enemy parties. During this time, the cavalry finally shows up, in the form of the American plane and the two ex vets launching into Vietnam mode, as they lay waste to the cartel and the bandits with bombs and heavy machine gun fire. The Americans jump on board, injured, scared, with one extra passenger (Wagner), and five million richer. The end.

The plot ain't Shakespeare, nor is it Alister MacLean. It's a no nonsense, non stop action film that doesn't pause for believable story, it just runs with what it has and asks the viewer to enjoy the ride. I found it to be a fun, ninety minute diversion that satisfied my need for a little humor, a lot of action, and nothing to try my grey matter. There should be more films made like this today, but everybody is too busy attempting to make masterpieces or epic films. This was an independently made film made around 1980, with name actors and a decent budget. Recommended!

More Kurosawa!

An early Christmas special from Criterion, through their Eclipse line. A collection of five films by Akira Kurosawa from 1946 to 56, appearing briefly on video in the 90's, but making their first US dvd appearances here. They are: I Live in Fear, The Idiot, No Regrets for Our Youth, One Wonderful Sunday, and Scandal. I have seen all of these films, and all are highly recommended, especially I Live in Fear and The Idiot, one of my favorite Kurosawa films (also his most atypical film, a bit swarmy for some but it pushed all the right buttons for me). No word on a release date, but with the Saura box set already released this week, I bet they will try to get this out before Christmas. Regardless, a mandatory purchase.

Korean Period Horror - The Evil Twin

A young woman awakes from a ten year long coma. Her last memory was of drowning with her sister in the nearby river. Her reawakening provokes rumor and fear among her friends and the villagers, as strange things begin to occur. Finally, one by one, people once close to her start to die.....

The Evil Twin is an anomaly in the contemporary horror scene -- a historical period piece that relies on suspense and the terror that is imagined, not necessarily seen. Thanks to a stronger than average storyline, which falls under a classic film noir suspense tale of lost identity, Evil Twin fuses that with the doppleganger twin that is so common in asian horror, to create something different. Park Shin-Hye plays So-Yeon, the heroine who reawakens to a world much older and different than she last remembered. Her displacement becomes an effective way to show the unfolding of events that follow, as layers for truth are revealed, about her friends, her family, and finally, herself. Hyo-Jin is her twin sister in the tale, and while at first she seems like another long haired demon girl a la the Ring, she is mostly in the background until the end, and when she does appear, she is genuinely creepy. No shock music or backward motion special effects, just atmosphere and silence, which deliver a real onimous feel to her presence. Yang Geum-Seok plays So-Yeon's mother, a woman with a guilt in her heart about a choice she had to make in the past. So-Yeon and Hyo-Jin were the classic good girl/bad girl, not necessarily good/evil, but one gaining more favor than the other - So-Yeon is promised to be married, a favor not gained by Hyo-Jin (this being at a very young age, as was the custom). That conflict affects how her friends treat her, because, and this is a key point, everyone thinks So-Yeon is her sister, because of the bracelet belonging to her sister was found on her wrist when she was rescued. The visuals are excellent, although the dvd transfer I saw the blacks came out as deep blues in certain key moments, and I don't know if that was when they added some special effects or if it was just a bad transfer. The entire film has an old-school feel, and reading other reviews of this film, I see that it is indeed a throwback to the ghost story films of the 60's in South Korea. It also reminds be of the Val Lewton films of the 40's, though there are a couple of brief grisly moments. The ending too reminds me of another film, the Japanese version of Dark Water, with the mother having to make the decision that she thought she should have made years ago, a choice as to which daughter she should save from drowning. The moment is touching and powerful, as is this above average horror film, which once again proves that a good story is more effective than cheap shocks to thrill the viewer. Recommended.

Shim's Family or Skeletons in the Closet

Skeletons in the Closet is a surprisingly good comedy about a middle class South Korean family who are all in a rut in their lives. Chun Ho-Jin is the father, an english teacher at a local high school who no longer makes love to his wife (Moon He-Kyung), and takes her for granted. He also has an unemployed sister in law (Kim Hye-Soo) comic book author who leeches off of them, and a son (Yu A-In) and daughter who both are just getting by in the same school that he teaches. The son is madly in love with another student (Jeung Yo-Mi), a girl who practices ballet and is a prostitute. One evening Mr. Shim sees a prostate body of a young woman in the subway. It is Jeung Yo-Mi, and there is a lot of blood between her legs. He picks her up and is going to take her to the hospital, but she begs him to take her to a motel and get some hygenic stuff so treat her wound, and he does. Together they stay overnight, Mr. Shim feeling uneasy as he knows the implications of an older man with a young girl in a motel. But nothing happens between the two of them -- until the cell phone, which Mr. Shim has confiscated from a student who was text messaging in class, is returned, and a video is discovered on the phone, of him and the student in bed. It is placed on the internet, on a Youtube like site, and a scandal erupts. The Shim family falls prey to the social pressures of the scandal. Mrs. Shim, in the meantime, is looking for some value after being treated as a slave by her family. She develops a crush on a young man who runs a karaoke bar, and is a promoter for a local coffee firm. He talks her into going to a retreat at a coffee company, which is essentially a recruiting camp. At first she is crushed that she wasn't going on a date with the young man; however, she finds some value in the process and impresses her family with her new coffeemaker (which works during a power outage and plays music), and a revived spiritual confidence in herself -- through coffee. The daughter lives in a dream world where she hates her family, is not particularly good looking, and writes a journal of her fantasies on her computer. The sister in law does nothing of importance except maintain a large comic book collection, writing stories and doing nothing for herself. She was coming out of a lousy relationship with a man who just plays around. All of them are shocked out of their hum drum existence with Mr. Shim's scandal. During a hot evening there is a blackout, and the family goes to the riverside, where the community has rigged a camp where they will watch a soccer game on power generators. People eat and generally have a good time, until the Shims are confronted by a neighboring family, who are outraged that their poodle was violated by the Shim's family dog. A fight breaks out, and the Shims unite to fight the neighbors and all the scandal and bad vibes that have been hanging over them. They run back home in separate paths, the daughter commenting through a voice over that this was the first time ever that she had so wanted to be back home. The scandal blows over, and Mr. Shim continues to be a teacher. The sister in law resumes a career as a writer, Mrs Shim is given more respect and the two children clean up their act.

There has been a run of really bland or awful Korean comedies lately. This is an exception. Director Chung Yoon-chul (Marathon) has put together a tight and atypical comedy of a South Korean family with problems. There are no heart tugging moments or overwrought sappy drama. It is filmed in a style similar to a film like the Royal Tennabaums, a no nonsense approach to the subject matter that places emphasis on the characters and not style. The outdoor fight scene is the funniest and best part of the film, as it is where the Shims' finally deal with all their problems by asserting themselves for the first time. Shim's Family is a clever look at one modern family, warts and all, and finds the heart and pulse that keeps them united. Recommended.

Life

Y'know, things just get in the way. Important things, like family, work, and health, all of which were in flux these past few months. So, after a long delay, let's resume with the reviews, shall we?

A Korean TV Jewel - Dae Jang Geum

I've spent the better part of the past couple of months being entranced by this wildly popular television series from South Korea, which has led to not as many reviews as I normally do. But it has been a well worthwhile diversion; one of a handful of series that I am sorry to see end. Dae Jang Geum, the title character played by Lee Yeong-ae (seen in Lady Vengeance, a much different character), who we follow from birth to her 30's. A kitchen court lady, Lady Yun, of the Chosun king was sentenced to death by her peers, a victim of court politics as she was a witness to a doctoring of food served to the Queen Mother, who fell ill. Jang Geum is her daughter, who endures and survives incredible challenges to enter the palace as a young girl, work in the court kitchen, is exiled, returns as a physician lady, and becomes the highest ranking woman in Chosun history, being the king's physician, scandalous at that time. Running at 54 episodes, I would suffer hand cramps from detailing a full synopsis, but there is a decent one on Wikipedia, which is fairly detailed. This historical drama came out in 2002-2003, and commanded one of the largest viewing audiences of all time in several countries. Apparently the sets formed the basis for a Jang Geum theme park, which I find odd, as you see a lot of the palace and not too much else. What elevates this above the standard drama or soap opera is partly the movie serial qualities -- how Jang Geum gets in and out of trouble is almost laughable, like a political Perils of Pauline -- and the heroine being an idealized person infused with both traditional and modern ideas. She is the one person in the court who is devoted to family and work without using it for personal gain or power, and it is this naivety that gets her into trouble, especially from the evil Lady Choi, once her mother's friend and now a main threat to the harmony of the palace. Towards the end of the series, Jang Geum has accomplished so much, defeating the Lady Choi and other elements in the castle, that she ends up being the physician to the king -- the motivations for which are explained by several of her friends in oddly modern talk for women's rights. She eventually leaves the castle, forced out by the court officials who saw her as an affront to tradition and authority, and marries her sweetheart. At the show's worst it can get repetitive and weepy (gallons of fake tears must have been used), but it never steeps down to the level of tawdry soap opera gunk. Courtly politics has always been a good plot device, from shows as diverse as I Claudius, Dune, Shogun, to Upstairs Downstairs. The pacing is mostly well done, with lots of cliffhangers, but also smartly the resolutions and directional changes are made in the middle of the hour long episode, so things are given a chance to unfold. There are a huge world of characters, most of whom are well developed. High points are the kitchen court lady battles for Head Lady supremacy, with its Iron Chef camera angles and savory food shots; the death of Lady Han, Jang Geum's mentor and friend, the "revenge" on Lady Choi and her family, after which everything becomes an extended epilogue, as Lady Choi was an incredible foil to her. The music got to be annoying, even though they did try to change it several times during the series, and they only served as emotional or dramatic accents. Having done a little bit of research, it is clear that 99% of this historical fiction is just that, fiction, it nevertheless is very entertaining and worth the enormous viewing time. Highest recommendation!

Corporate warfare - Black Test Car

Fantoma continues to reissue the films of Yasuzo Masumura, this time with the splendid film Black Test Car, released in 1962. Hideo Takamatsu stars as Onoda, a corporate official who works for the Tiger automobile company. He is asked to create an espionage division, to find out what car the rival company Yamato is creating, as well as protecting Tiger's assets. Both companies are competing to develop a sports car, Tiger's the Pioneer, and Yamato's Mypet. The opening scene of the movie shows a car wrapped in black fabric performing a test drive, which ends badly with a crash on the test road. It is the Pioneer, and its development has been uneven, as there has been great pressure on every department to make this car work. Yamato has sent agents to find out about the rival car, bribing engineers and threatening contractors into revealing Tiger's secret information of the car. Onoda has two of his best men, Ashahina and Hiraki, set up a task force to find out about what car Yamato is making. They employ tactics that are no better than Yamato's -- kidnapping contractors and bribing company men involved with the car's production. Even worse, Ashahina coerces his girlfriend into being a bar hostess where Yamato's executives hang out, and date the head executive. She and Ashahina are engaged, but his obsessive drive to help out his company, and his increasing immoral acts begin to drive them apart, her being his moral conscience which drives doubt into his soul. The schemes and action on both companies escalate, rivaling yakuza tactics. Yamato's new car looks exactly like the Pioneer, to the Tiger company's dismay. Ashahima learns that the corporate executives on both sides -- including Onoda -- were soldiers in Tojo's army during the war, many of them committing many war crimes, which explains their callousness. Finally, the Pioneer is put into production, trying to come out before the Mypet, and there immediately ensues a price war. Tiger makes the mistake of settling on a price, which Yamato matches, minus an x amount to be determined on the day of its release. Ashahina, in a desperate final attempt to find out the price, bullies his girlfriend into sleeping with the executive to find out what the amount is. She does, at the cost of ending their relationship. The Pioneer sells well early on, but a rigged car crash of one model owned by a corrupt official causes controversy. Yamato conducts a secret campaign against the Pioneer, only to have it backfire as their attempts are exposed, and the company disgraced. Ashahina, finally seeing the amoral ways of his boss and coworkers, leaves the company, and in doing so regains his girlfriend.

This is an excellent film by Masamura, whose place in cinema has increased with each dvd reissue. Voicing the moral conscience against an increasingly corrupt world, Masamura's films explore the mindsets, strategies and relations of people in modern Japanese society. Directors like Juzo Itami must have been influenced by his work. It was filmed in black and white, which lends a kind of noir aspect, as a lot of action was done at night or in claustrophobic interiors. Cinematographers have to take a look at this film; every scene is composed masterfully. If you like films like Kurosawa's The Bad Sleep Well, or Itami's Taxing Woman, this is a must see.